Black Light 54 Photography - Burak Bulut YILDIRIM
Black Light 54 Photography - Burak Bulut YILDIRIM
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Characteristics of the Photography “Black Light 54”

Year of creation2018
Dimensions120 W × 80 H × 0.1 D   cm
Type of artphotography
Genreportrait
Type of packagingart tube
Keywords
blacklightportraitfigurativewomendreamemotionalbluedarkorangefine art

Description of the Artwork “Black Light 54”

- Only 9+1 Limited Original Edition Giclée Print on Hahnemühle Paper, signed, numbered and with a Certificate of Authenticity. -I m lighting master and soul collector, please read my Artist Statement on my profile -About My Black Light Photos: Ultraviolet (UV for short) radiation, wavelength between 100 and 400 nm is called Beam. Our eye is sensitive to between 400 and 700 nm wavelengths and cannot detect lower wawelenghts. Since we perceive the smallest wavelength radiation we can see as purple, it is the beam that has a smaller wavelength than this. UV-A type ultraviolet light is very little visible light and its name Black Light. Black Light is invisible but can show something if you know how managed it. Burak Bulut - Fine Art Photography

Black Light 54

Original photo, 120×80 cm, 2018
$700USD
Original artwork with a certificate of authenticity
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About the artist

I m full time photographer and photography mentor over 15 years. I created some photo exhibitions and projects during that 15 years and which is awarded. I was elected Sony Europe Imaging Ambassador at 2019 and 2020. -------------------------- Artist-Statement --- As Dostoevsky said in Crime and Punishment, “Everything depends on the environment in which man lives: it is the environment that determines everything, and man is nothing.” We also experience this feeling of nothingness in our contaminated visual world. However, with the magic of light, a figure or landscape can transform and find its meaning in seconds. In my work on light for over 15 years, I photograph people changing at every angle with natural light, artificial light systems and UV lights by reshaping them with light. Using visible and invisible lights, with machines that capture and record light, I try to record a new spirit that is the most important to me alongside the elements of color, texture and volume. So, using the properties of light in my photographs, I try to carry my soul into portraits that have also a soul. The personality and the physicality of the person I’m working with while photographing, collide with what I want to include and end up having creative consequences in a dynamic that can change at any moment. In summary, I can say that my works are emotional photographs that have been placed on a certain aesthetic level with the seductiveness of poetics

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