All of ZT Tosha’s paintings are made in a multi-step process of representation. He starts with a blank canvas, adding gray aerial perspective, while constantly rotating the canvas. Then he pours or splashes paint directly from their tubes onto a horizontal surface (drip technique), enabling him to view and paint his canvases from all angles. Taking his color palette from the scene that he sees at that moment, he paints to replicate the look of the original scene. His hallmark “blur” is sometimes achieved with a hard smear made by an aggressive pull with a squeegee.
While studying at the Academy, Tosha began to incorporate sounds into some of his works. His sound sculptures were recognized as acute and original by the organizers of “Yugoslavian documents ‘89”. The organizers included his work in their international show as well as in the subsequent publication featuring the most important artists of Yugoslavia.
Tosha attended the Fine Art Academy at the University of Sarajevo, Bosnia and Herzegovina (former Yugoslavia) from 1982 -1987.