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Realism Allegorical Sculpture Benji, Dance of Sorrow: Limited Edition by sculptor Willem Botha Bronze
Benji, Dance of Sorrow: Limited Edition Sculpture - Willem Botha
Benji, Dance of Sorrow: Limited Edition – buy
Benji, Dance of Sorrow: Limited Edition – sculpture
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Benji, Dance of Sorrow: Limited Edition

Willem BothaBulgaria
Original sculpture, 40×240 cm, 2022
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Characteristics of the Sculpture “Benji, Dance of Sorrow: Limited Edition”

Year of creation2022
Dimensions40 W × 240 H × 70 D   cm
Weight95 kg
Type of artsculpture
Stylerealism
Genreallegorical
MaterialsBronze
Keywords
Male dancer sculptureballerina sculpturenude male dancer sculpturelife size dance sculpturewillem bothawillem botha sculptordance sculpturebronze sculpture

Description of the Artwork “Benji, Dance of Sorrow: Limited Edition”

This compelling sculpture by Willem Botha masterfully depicts the raw emotion and depth of sorrow through the poised figure of a male dancer. Crafted with a keen eye for detail, the lifelike nuances of the dancer's form bring the piece to life, resonating with the viewer on a profound level. The customizable patina adds a personal touch, allowing each sculpture to be a unique masterpiece. The sorrowful dance immortalized in bronze speaks to the universal themes of pain and endurance, offering a powerful visual narrative.

About the artist
Willem Botha

Willem Botha, Bulgaria

I was born in Pretoria South Africa in 1962. My career started as a sculptor for the national Defence force. Years later I entered the world of Special effects artist for the film industry, where I have more than 70 films under my belt. In 2017, I retired from the film Industry, and started full time sculpting again. Today my work is in many private collections all over the world. In 2020, I immigrated to Sofia Bulgaria, where I opened my new studio. I would say that I have a classical approach to sculpture in most of my work. I like to explore the body, whether human or animal Most of my works present a dramatic tension with an unbalanced perception of gravity. I sometimes like to introduce movement. It is then endangering my compositions, which confine to an unstable balance, while revealing each time the nobility and the grace. I believe in the words of Leonardo da Vinci that his Art is never finished, only abandoned

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