Playing With Fire- Flower Girl Photography - Simon Williams
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Playing With Fire- Flower Girl

Simon WilliamsUnited Kingdom
Original photo, 102×142 cm, 2011
$3,470USD
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Characteristics of the Photography “Playing With Fire- Flower Girl”

Year of creation2011
Dimensions102 W × 142 H × 3 D   cm
Type of artphotography
Genreportrait
Keywords
firetoysvibrantbrightglossy

Description of the Artwork “Playing With Fire- Flower Girl”

A collaboration with the photographer Alexis Chabala. The controversial pieces in the collection are the creations that evolve when fire meets children’s toys. Simon has been inspired by these destructive forces and the results of combining them with the strong vibrant colours and features of the toys. The work symbolises the myriad scars left on children when their parents go through a break-up. The bright blue eyes, glossy golden hair and the smile on the doll’s face still shine through, despite the side of her face being singed - a reflection of the innocence which children still have despite often being confronted with the harsh realities of family break-ups. Toys resemble the beauty and innocence that their young minds are intuitively drawn to despite the difficulties of the realities they may be facing.

About the artist
Simon Williams

Simon Williams, United Kingdom

JakBox is the brainchild of Simon Williams. Born in a Camden coffee shop in 2013, it functions as a “creative lab”. The ideas tested there have been accumulated over more than three decades, from the years of Simon’s architecture studies, which saw his foray into experimental performance art and award-winning pavement art, to his development and management of the long-established and highly respected graphic design studio, Feast Creative. JakBox’s first four years have been very productive. Many ideas have been mixed in the experimental pots and different processes tested. Each strand of work has had its own identity, defined by the process which has formed it; all have shared the mission of bringing to the world at large the ability to see what is all around them, but rarely noticed. It seems that nothing which exists in time and space is exempt from his curious examination, scrutiny and entertaining representation. Some of the presentations are brave, none is boring; some are thought-provoking or disturbing, none is without impact on the viewer. The outcomes of Simon’s experiments with process are often, completely accidentally, quite beautiful; all are intriguing. Similarly joyful are the products of his curiosity and adventurous use of the most unlikely materials. In JakBox, he is establishing his home in the art world.

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