SaveDéchirure
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| Year of creation | 2023 |
|---|---|
| Dimensions | 60 W × 90 H × 0.1 D cm |
| Type of art | photography |
| Style | black and white |
| Genre | nude |
| Type of packaging | art tube |
Description of the Artwork “Déchirure”
Edition Limitée de 10 Exemplaires + 1 Epreuve Artiste Limited Edition of 10 Copies + 1 Artist Proof Cette photographie d'art de 2023 par Cédric Brion est une édition limitée de 10 exemplaires plus 1 épreuve d'artiste, manifestant l'exclusivité de cette œuvre. Réalisée sur un papier Fine Art Mat Museum Heritage de 310 grammes, elle possède une bordure blanche de 1 cm, parfaite pour un encadrement sous passe-partout. Cette œuvre de 90 par 60 cm est livrée enroulée dans un tube, offrant une protection optimale pour une œuvre non encadrée. This 2023 art photograph by Cédric Brion is a limited edition of 10 copies plus 1 artist's proof, demonstrating the exclusivity of this work. Made on 310 grams Fine Art Mat Museum Heritage paper, it has a 1 cm white border, perfect for framing under a mat. This 90 by 60 cm work is delivered rolled up in a tube, offering optimal protection for an unframed work. From shadow to light Accepting our dark side is essential, because it means we recognize bot
Artwork in the interior
Cédric Brion, Belgium
Biography. My name is Cédric Brion. I was born in 1978 in Belgium, in the suburbs of Mons, where I currently live. As I have always been interested in the plastic arts, I started to develop my taste for photography at the age of 18. My first tool was a silver camera, which I developed in the darkness of my room. After several years of research and experience, I was able to approach the world of professional photography, thanks to various competitions and work done for the business world... Motivation and vision. My fascination with creating portraits in a dark, even noir, atmosphere comes from my early child-hood, because since I was a child I have always been fascinated by fantastic and dark worlds, I try to create portraits that transport the viewer into another universe. I like to see my portraits as windows to imaginary worlds. From the darkness of the soul, a clarity can emerge that overwhelms me. Light that is too bright often dazzles, darkness magnifies it. I like to capture these contrasts in my portraits, and ancient civilizations have always been one of my sources of inspiration. I want my portraits to appeal to people, so that they can see themselves in them and recognize themselves.