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Figurative Still-Life Painting Melancholia by painter José Luis Montes drawing ink paper
Melancholia Painting by José Luis Montes - Jose Art Gallery
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Melancholia

Original artwork, 41.5×29.5 cm, 2021
$907USD
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Characteristics of the Painting “Melancholia”

Year of creation2021
Dimensions41.5 W × 29.5 H × 0.1 D   cm
Type of artpainting
Stylefigurative
Genrestill-life
Materialsdrawing ink, paper
Type of packagingart tube
Keywords
floweruntildecorcolorfulfloresVintageretroheartheartsblueBrownredraindropssadnessmexican artfigurative artgiftinkpaperloveyearninglife

Description of the Artwork “Melancholia”

Automatic translation

In this poignant work, José Luis Montes captures the essence of loss and renewal. The prominent hearts symbolize the love and memory of those we have lost. The raindrops act as a spiritual cleansing agent, while the wilted flowers symbolize the eternal cycle of life and death. The work evokes deep emotions with its retro color palette, highlighting shades of blue and brown that intertwine with hints of vibrant red. This Mexican figurative art is not only decorative, but also serves as a powerful reminder that from death always springs new life.

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About the artist

Concern for nature and the space we inhabit has been a constant on a personal level and as such has been reflected in many of my works over time. I am currently focusing my work on women; the woman as a symbol of strength and tenacity and also as a guardian and connoisseur of the cycles of nature and I am painting her along with floral and animal elements that show her coexisting with nature. I use this, on the one hand, to draw attention to the fact that there is less and less nature to interact with, and on the other hand, as a reminder that we have to listen to the rest of the beings in nature, because we are not independent. from it and we cannot sustain ourselves outside of it, we need to understand that we are one and the same and that is what I intend to convey with my work, that people stop a little to think about how we are destroying the habitat of the macaws or how we are taking our diet towards the absurd, for example. I also like to use everyday elements to form and assemble the work as an allegory, guiding the observer into the interior of the painting, so that from there they themselves can discover their interpretation or can start a conversation with the work.

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