SaveReturn of the Prodigal Son
| Year of creation | 2024 |
|---|---|
| Dimensions | 50 W × 70 H × 2 D cm |
| Type of art | painting |
| Style | avant-garde |
| Genre | religious |
| Materials | oil, canvas |
| Type of packaging | wooden box |
Description of the Artwork “Return of the Prodigal Son”
This picture symbolizes the joy and hope associated with the return of the prodigal son to the Father. Artist Milan Djurdjevic used avant-garde elements to convey the intense emotions and spiritual meaning of this biblical story. Abstract shapes and vibrant colors create a dynamic and inspiring image that evokes deep feelings. This is not just a religious story, but a powerful visual expression of faith and forgiveness that will resonate with viewers.
Artwork in the interior
Milan Djurdjevich, Serbia
Milan Djurdjevic. Born in Šabac (Serbia). From early childhood he was interested in painting and literature. Attended art school (class of professor Zlata Petkovic). Basic education - engineering and technical. He continued to paint professionally (exhibitions, competitions...) since 2000. Participated in exhibitions in cities of Serbia, Germany, Russia. In 2023 - participant and winner of the Russian Arts Week in Moscow. Competition "Art Portrait" 2023 Moscow. - 2nd place. The artist’s paintings are in private collections in Serbia, Russia, the UAE, and the USA. Milan Djurdzhevich paints in his own genre - “Thematic Abstraction”. These paintings, like a mirror, reflect the past, the present itself and our entire world. This is exactly the conclusion that the artist came to after conducting a deep analysis and studying contemporary art. After all, a painting, even an abstract one, must be understandable to the viewer. And it will be understandable only if the artist writes a plot, a theme, and transfers thoughts to the canvas (if there are any, of course). “Looking at a painting is not just a process of contemplation for me. In any picture I try to see the event. It’s like returning to childhood through the balcony, quietly, on tiptoe...” (Milan Djurdjevic from the book “Thematic Abstraction with Comments and Explanations”).