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SaveSubtle Portrait opus 34
| Year of creation | 2023 |
|---|---|
| Dimensions | 60 W × 50 H × 2 D cm |
| Type of art | painting |
| Style | art deco |
| Genre | portrait |
| Materials | drawing ink, paper |
| Framing | the artwork is sold with framing |
| Type of packaging | cardboard box |
Description of the Artwork “Subtle Portrait opus 34”
imitating the color palette to black and white focuses attention on form. The lack of color is not a limitation, but a tool for conveying meaning. Spiritual minimalism dominates in black and white forms, further emphasizing the unique character of the imaginary face. Each stain is a sign and has its own meaning. Simple forms allow you to focus on unreal facial features, revealing emotions and hidden secrets. Simplicity hides a wealth of meanings, and the limitations of form enhance the power of the message. When viewing Subtle Portraits, we experience a wealth of forms and symbols that lead us to reflect on beautifying ourselves and our surroundings. Subtly, we repaint ourselves, we inexorably become someone else.
Artwork in the interior
Jan Astner, Poland
Jan Astner studied architecture and fine arts in Poland and the USA. He practices painting, drawing, computer graphics and photography. Recent projects come from the fascination of multi sensual perception. Paintings are elements of performances based on the idea of synesthetic metaphors – abstractly combined sensual experiences create individual feelings for each participant. He exhibited in Poland, France, Belgium, Luxemburg, Spain and Sweden. For 25 years he has been dealing with consultancy in the field of building and managing brand image. Lives and works in Izabelin, Poland and Jerez de la Frontera, Spain. Jan Astner realises his works in series that combine reflection on a man in relation to the world around him in the age of posthumanism and transhumanism. Using process painting and his own developed techniques in acrylic technology, he chooses the means of expression to present the issues bothering him. He realises his works in series that combine reflection on a man in relation to the world around him in the age of posthumanism and transhumanism. Using process painting and his own developed techniques in acrylic technology, he chooses the means of expression to present the issues bothering him. – Voluptuous Towns – impressions referring to visited cities, presenting the city as a place of life, where the theme is not architecture and urban planning, but the emotions and experiences associated with the socio-cultural space noted by the author. – Sybaritic Poses – analysis of the interaction between the internal and external world of man, both in the material, sensual and psychological sphere. – Transhuman Portraits – reflection on the changes of the human body, its beautification and modification. – Synesthetic Landscapes – multi sensual pretexts for personal perception. What tastes can be seen in the picture? What colours of the sounds can be heard? What is the relation between the touch and the colour? Etc.