Soul Ties - Sisterhood Painting by SIMONA ZECCA
Soul Ties - Sisterhood Painting by SIMONA ZECCA
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Soul Ties - Sisterhood

SIMONA ZECCAItaly
Original artwork, 60×70 cm, 2023
The artwork has been sold
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Characteristics of the Painting “Soul Ties - Sisterhood”

Year of creation2023
Dimensions60 W × 70 H × 1 D   cm
Type of artpainting
Stylefigurative
Genreportrait
Materialsoil, wood
Type of packagingcardboard box
Keywords
PortraitattractiveadulttotalsexypeoplepersonWeatherGold leafSymbolicSistersWomenLgbtq+SisterhoodTattooMaterial3dRoseTiesSoulFriendshipLovers

Description of the Artwork “Soul Ties - Sisterhood”

"Soul Ties - Sisterhood" is one of my original paintings  oil on panel with gold leaf, clay and acrylic paste, 70x60 cm. The bond of sisterhood between the two women is represented by the material scarf that binds them, made of clay and covered in gold leaf, like their earrings and the leaves that fly around them together with the rose petals, also made in red painted clay. The background is in gold leaf. Signed on the back, with certificate of authenticity.

Artwork in the interior

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About the artist

Born in Milan, Simona Zecca is a self-taught artist who has always loved drawing and art since childhood and has always continued to cultivate her passion for art even during her studies and in the period in which she worked. in marketing. She loves studying new and various techniques and over the years she deepened the use of graphite, colored pencils, watercolor, acrylic, airbrush and oil, which is currently his favorite technique. In 2015 she decided to follow the ever-present call of art to which she began to devote herself full time from 2016, initially customizing mainly helmets and motorcycle parts with airbrush and at the same time expressing herself through his paintings on canvas. In 2019 she began to exhibit her artworks, immediately receiving an excellent response from the public and critics and obtaining various awards. Initially hyper-realistic, she is now expressesing herself through a modern realism and prefers female portraits. She has always been particularly focused on the expressiveness of the gaze.

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