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Figurative Portrait Painting Omoide by painter SIMONA ZECCA oil canvas
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Omoide

SIMONA ZECCAItaly
Original artwork, 80×120 cm, 2022
The artwork has been sold
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Characteristics of the Painting “Omoide”

Year of creation2022
Dimensions80 W × 120 H × 4 D   cm
Type of artpainting
Stylefigurative
Genreportrait
Materialsoil, canvas
Type of packagingwooden box
Keywords
womangirlasian girlasian womanjapanese girljapanese womankimonogoldgold leafgolden kimonobeautybeautifulasiaasiansitting womanfemale portraitgraffitiurbanthinkingthoughtthinkful

Description of the Artwork “Omoide”

Omoide means souvenir in Japanese. It is the portrait of a young girl with decorated gold leaf kimono. Behind her the wall is decorated with graffiti and made with acrylic paste which represents the modernity of the Land of the Rising Sun, which coexists with ancient traditions, represented by gold leaf in this painting as in the whole Japan in Gold series of mine. Ready to hang, signed on its back. Certificate of authenticity provided.

Artwork in the interior

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About the artist

Born in Milan, Simona Zecca is a self-taught artist who has always loved drawing and art since childhood and has always continued to cultivate her passion for art even during her studies and in the period in which she worked. in marketing. She loves studying new and various techniques and over the years she deepened the use of graphite, colored pencils, watercolor, acrylic, airbrush and oil, which is currently his favorite technique. In 2015 she decided to follow the ever-present call of art to which she began to devote herself full time from 2016, initially customizing mainly helmets and motorcycle parts with airbrush and at the same time expressing herself through his paintings on canvas. In 2019 she began to exhibit her artworks, immediately receiving an excellent response from the public and critics and obtaining various awards. Initially hyper-realistic, she is now expressesing herself through a modern realism and prefers female portraits. She has always been particularly focused on the expressiveness of the gaze.

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