Year of creation | 2024 |
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Dimensions | 80 W × 60 H × 1.7 D cm |
Type of art | painting |
Style | surrealism |
Genre | portrait |
Materials | acrylic, canvas |
Type of packaging | cardboard box |
Created for the art battle "Draw me a poem" based on the poem of the greatest living Ukrainian poet Lina Kostenko - "Between another". In June 2024, it will be exhibited at the Maria Zankovetska Museum in Kyiv. To convey the humanity and tenderness described in the poem, I used a photo that depicts the most tender love I know. When I'm even gray and my life will go like a cloud, and I will be beautiful for you and for some, maybe not at all. And for someone evil, stubborn, for someone else, a witch, a cobra. And by the way, frankly, then I was stupid and kind. Defenseless, asynchronous neither with theories nor with practices. and the irony hurt me by all the galaxies and galaxies. And the bourgeois code did not know, when I choked on disaster that the soul went out among people bandaged with white laughter. And in life, as in a minefield, I asked in this century at least the store minimum: - People, be polite to each other! — and if it were my will, I would write in italics everywhere: - There is so much grief in the world, people, be mutually beautiful!
Noumenona is a modern Ukrainian artist who chose the path of surrealism and abstraction. For a long time, she was engaged in choreography and music in a violin class. She started painting in 2021, after leaving her job at a top Ukrainian company. In August 2022, her personal exhibition was held in the city of Rivne. Works with acrylic, ink, charcoal, pastel, watercolor, collage elements, aerosol paint and texture paste. She paints exclusively at night and loves mixed media. In her paintings, with the help of inaccuracy of forms, small details, and work with colors, the artist tries to create such an image that will evoke in the viewer the shadows of his memories, fantasies and dreams. The artist values the freedom of interpretation and almost does not publish the description of the paintings, leaving the viewer space for personal discovery and interaction with the works. She dreams of her own creative workshop, because the war took it away.