Elvis has left the building Painting by SIMONA ZECCA
Elvis has left the building Painting by SIMONA ZECCA
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Elvis has left the building

SIMONA ZECCAItaly
Original artwork, 80×120 cm, 2022
The artwork has been sold
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Characteristics of the Painting “Elvis has left the building”

Year of creation2022
Dimensions80 W × 120 H × 4 D   cm
Type of artpainting
Stylefigurative
Genreportrait
Materialsoil, canvas
Type of packagingwooden box
Keywords
elviselvis presleysingermusiccelebrityiconhandsomeportraitstageportrait

Description of the Artwork “Elvis has left the building”

Elvis has left the building is an oil on canvas with gold leaf and acrylic paste, cm 80x120. I wanted to portray Elvis as determined to leave the money-making machine that chewed him, unfortunately. The spotlight light on the stage is made in gold leaf as well as the decorations on Elvis' jacket. The graffiti on the textured wall behind him are part of the lyrics of My Way song which Elvis recorded a wonderful cover of. Signed on its back with certificate of authenticity, ready to hang.

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About the artist

Born in Milan, Simona Zecca is a self-taught artist who has always loved drawing and art since childhood and has always continued to cultivate her passion for art even during her studies and in the period in which she worked. in marketing. She loves studying new and various techniques and over the years she deepened the use of graphite, colored pencils, watercolor, acrylic, airbrush and oil, which is currently his favorite technique. In 2015 she decided to follow the ever-present call of art to which she began to devote herself full time from 2016, initially customizing mainly helmets and motorcycle parts with airbrush and at the same time expressing herself through his paintings on canvas. In 2019 she began to exhibit her artworks, immediately receiving an excellent response from the public and critics and obtaining various awards. Initially hyper-realistic, she is now expressesing herself through a modern realism and prefers female portraits. She has always been particularly focused on the expressiveness of the gaze.

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