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Figurative Portrait Painting Tehuan air by painter José Luis Montes mixed method paper
Tehuan air Painting by José Luis Montes - Jose Art Gallery
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Tehuan air

Original artwork, 30×40 cm, 2018
$770USD
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Characteristics of the Painting “Tehuan air”

Year of creation2018
Dimensions30 W × 40 H × 2 D   cm
Type of artpainting
Stylefigurative
Genreportrait
Materialsmixed method, paper
Framingthe artwork is sold with framing
Type of packagingwooden box
Keywords
maskdeckcostumelastsuntilmethoddecorcharmPortraitmake-upmixed techniquemexican artMexican traditionsday of the deadCatrinaflower of the deadchrysanthemumSempasúchilskullbonesblueorange

Description of the Artwork “Tehuan air”

Automatic translation

This work is a representation of the traditional Mexican catrinas, a typical representation of death as well. The cempasúchil flowers that she wears as a crown on her head are also typical flowers of the days of the dead, and she is also blowing on a cempasúchil flower, symbolizing that life and death are united. The work is made in mixed media on paper and framed in double glass.

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About the artist

Concern for nature and the space we inhabit has been a constant on a personal level and as such has been reflected in many of my works over time. I am currently focusing my work on women; the woman as a symbol of strength and tenacity and also as a guardian and connoisseur of the cycles of nature and I am painting her along with floral and animal elements that show her coexisting with nature. I use this, on the one hand, to draw attention to the fact that there is less and less nature to interact with, and on the other hand, as a reminder that we have to listen to the rest of the beings in nature, because we are not independent. from it and we cannot sustain ourselves outside of it, we need to understand that we are one and the same and that is what I intend to convey with my work, that people stop a little to think about how we are destroying the habitat of the macaws or how we are taking our diet towards the absurd, for example. I also like to use everyday elements to form and assemble the work as an allegory, guiding the observer into the interior of the painting, so that from there they themselves can discover their interpretation or can start a conversation with the work.

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