Adaptation and evolution Painting by José Luis Montes
Adaptation and evolution Painting by José Luis Montes
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Adaptation and evolution

Original artwork, 50×70 cm, 2022
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Characteristics of the Painting “Adaptation and evolution”

Year of creation2022
Dimensions50 W × 70 H × 0.2 D   cm
Type of artpainting
Stylefigurative
Genreportrait
Materialsmixed method, paper
Type of packagingcardboard box
Keywords
untilcolorfulmethodPortraityellowpaintautumnarmfloresavebirdmariposabutterfly wingspumpkin flowerfeedingshawlraindropswaterfigurative artmexican artgreennatureoilpencil

Description of the Artwork “Adaptation and evolution”

Automatic translation

This painting was done with oil and pencil, combining traditional techniques to create a figurative portrait. The 2022 work reflects the distinctive talent of José Luis Montes, evidenced in the meticulous details of the bean leaves and squash blossoms. The vibrant colors and textures enhance its expressiveness, framed in a robust sense of nature and its relevance in our lives. The work illustrates the author's mastery in the use of materials and his ability to capture the essence of his themes. Certificate of authenticity included.

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About the artist

Concern for nature and the space we inhabit has been a constant on a personal level and as such has been reflected in many of my works over time. I am currently focusing my work on women; the woman as a symbol of strength and tenacity and also as a guardian and connoisseur of the cycles of nature and I am painting her along with floral and animal elements that show her coexisting with nature. I use this, on the one hand, to draw attention to the fact that there is less and less nature to interact with, and on the other hand, as a reminder that we have to listen to the rest of the beings in nature, because we are not independent. from it and we cannot sustain ourselves outside of it, we need to understand that we are one and the same and that is what I intend to convey with my work, that people stop a little to think about how we are destroying the habitat of the macaws or how we are taking our diet towards the absurd, for example. I also like to use everyday elements to form and assemble the work as an allegory, guiding the observer into the interior of the painting, so that from there they themselves can discover their interpretation or can start a conversation with the work.

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