Metempsychosis Painting by José Luis Montes
Metempsychosis Painting by José Luis Montes
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Metempsychosis

Original artwork, 100×70 cm, 2019
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Characteristics of the Painting “Metempsychosis”

Year of creation2019
Dimensions100 W × 70 H × 3.5 D   cm
Type of artpainting
Stylefigurative
Genrenude
Materialsmixed method, wood
Type of packagingwooden box
Keywords
waterliquiddecortexturedesignfrescopeyotemale nudenaturetreedropsblueaquamarinenegropower plantsdreamslandbodyskymetamorphosisuntilfigurative artmexican artmixed technique

Description of the Artwork “Metempsychosis”

Automatic translation

In this dreamlike work, José Luis Montes captures the connection between man and nature. Peyotes represent our intimate relationship with the earth and our dreams of achieving happiness and harmony. The raindrops that seem to disintegrate the tree symbolize a cure that heals internal wounds. The predominant colors, blue and aquamarine, evoke a feeling of calm and renewal, while the black details add a touch of mystery. This work is not only a visual representation but an emotional journey towards metamorphosis and rebirth.

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About the artist

Concern for nature and the space we inhabit has been a constant on a personal level and as such has been reflected in many of my works over time. I am currently focusing my work on women; the woman as a symbol of strength and tenacity and also as a guardian and connoisseur of the cycles of nature and I am painting her along with floral and animal elements that show her coexisting with nature. I use this, on the one hand, to draw attention to the fact that there is less and less nature to interact with, and on the other hand, as a reminder that we have to listen to the rest of the beings in nature, because we are not independent. from it and we cannot sustain ourselves outside of it, we need to understand that we are one and the same and that is what I intend to convey with my work, that people stop a little to think about how we are destroying the habitat of the macaws or how we are taking our diet towards the absurd, for example. I also like to use everyday elements to form and assemble the work as an allegory, guiding the observer into the interior of the painting, so that from there they themselves can discover their interpretation or can start a conversation with the work.

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