SaveForest Spirit
| Year of creation | 2024 |
|---|---|
| Dimensions | 104 W × 125 H × 0.1 D cm |
| Type of art | painting |
| Style | abstract |
| Genre | mythological |
| Materials | oil, canvas |
| Type of packaging | art tube |
Description of the Artwork “Forest Spirit”
Embodied in this painting, the Forest Spirit reigns over its domain with a silent, powerful presence. Its form, a rich tapestry of life, weaves together the essence of the forest's inhabitants and the vibrant scenery they inhabit. As viewers, we're swept into an intricate dance of shapes and beings, each symbolizing the forest's diverse ecosystem. The spirit itself, often seen as nature's antagonist, reveals its true intent through Constantin Roucault's canvas: a vigilant guardian, a fierce protector, and yet, a compassionate overseer. This piece not only showcases the abstract beauty and depth of our natural world but also serves as a poignant reminder of our intertwined fate with nature.
Artwork in the interior
Constantin Roucault, Switzerland
Constantin Roucault, a contemporary Swiss artist who draws inspiration from the cubist representation of urban and industrial subjects found in the works of American painters Charles Sheeler, Charles Demuth, and, to some extent, Edward Hopper. This early influence propelled him towards embracing the artistic style. The city and nature, in their myriad forms, have remained enduring sources of inspiration for Constantin throughout his artistic journey. His artworks navigate the intersection of figurative and graphic styles, oscillating between abstraction and realism. Central to his creative process is the use of oil paint, a fundamental medium that brings his visions to life. In certain instances, Constantin incorporates diverse media and techniques, including acrylic, ink, charcoal, collage, and screen printing, to enhance the expressive depth of his creations. This versatile approach allows him to explore and push the boundaries of artistic representation, creating a body of work that resonates with both abstraction and the tangible reality of the subjects he portrays.