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SaveOut of the water
| Year of creation | 2016 |
|---|---|
| Dimensions | 112 W × 76 H × 6 D cm |
| Type of art | painting |
| Style | surrealism |
| Genre | marine art |
| Materials | acrylic, paper |
| Type of packaging | wooden box |
Description of the Artwork “Out of the water”
In this work, done in mixed media on cotton paper, the fish swim out of the water. I use this to symbolize growth, like leaving the comfort zone. They are also labeled, with old cigar bands, which represent the labels that we all use, sometimes for ourselves, other times to label others, other times because they label us. The fact is that we always carry these judgments or prejudices, our own or others', that even when we decide to grow and leave the comfort zone, or precisely because of it, we drag along. The water, below, forms waves, but they seem almost like mountains, symbolizing the undulation of emotions, also as a way of giving movement to them. The work is mounted on a board and ready to hang. It has no frame.
Artwork in the interior
José Luis Montes, Mexico
Concern for nature and the space we inhabit has been a constant on a personal level and as such has been reflected in many of my works over time. I am currently focusing my work on women; the woman as a symbol of strength and tenacity and also as a guardian and connoisseur of the cycles of nature and I am painting her along with floral and animal elements that show her coexisting with nature. I use this, on the one hand, to draw attention to the fact that there is less and less nature to interact with, and on the other hand, as a reminder that we have to listen to the rest of the beings in nature, because we are not independent. from it and we cannot sustain ourselves outside of it, we need to understand that we are one and the same and that is what I intend to convey with my work, that people stop a little to think about how we are destroying the habitat of the macaws or how we are taking our diet towards the absurd, for example. I also like to use everyday elements to form and assemble the work as an allegory, guiding the observer into the interior of the painting, so that from there they themselves can discover their interpretation or can start a conversation with the work.