The Spell Caster Painting by Gill Bustamante
The Spell Caster Painting by Gill Bustamante
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The Spell Caster

Gill BustamanteUnited Kingdom
Original artwork, 76.2×76.2 cm, 2024
$2,240USD
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Characteristics of the Painting “The Spell Caster”

Year of creation2024
Dimensions76.2 W × 76.2 H × 3.8 D   cm
Type of artpainting
Styleabstract
Genrelandscape
Materialsoil, canvas
Type of packagingcardboard box
Keywords
colorfulAutumn wood abstractfall woodlandfall colourswhite owlbarn owl in woodautumn in the woodwoodland path in Octoberorange treeswoodland walksemi-abstract landscape paintingbird paintingGill Bustamante paintingsspiritual abstract artsemi-abstract forest paintingEnglish contemporary artiststunning abstract paintingrealism vs abstractmagical realisethereal-paintingsfairy-tale-paintingsvibrant-coloured-paintingsmagical-landscape-paintingssemi abstract art nouveauart nouveau style landscape.

Description of the Artwork “The Spell Caster”

The Spell Caster is a warm, colourful autumn woodland path semi-abstract painting with barn owl. It is 30x30x1.5 inches. The painting is mostly orange and purple and though is clearly of woodland, it is built up with many transparent layers of rainbow colours and vertical marks and drips that give the painting the idea of it flickering in and out of a different reality. I find woodland magical and I find owls magical and I love autumn so this is the combination of those things. It was mostly inspired by some of areas of woodland around the Ashdown Forest in Sussex where you can go quite suddenly from a sunlight heathland into dark and sinister patches of dark forest. Painted on deep edge canvas, edges white, ready to hang, not frame needed and comes with a certificate of authenticity and gifts from the artist.

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About the artist
Gill Bustamante

Gill Bustamante, United Kingdom

I am a professional artist based in East Sussex who creates large semi abstract landscape, seascape and wildlife paintings in oil on canvas. My painting style is very distinct and fuses art-nouveau, impressionist and semi-abstract techniques with traditional portraiture that reflect my love of nature, animals, birds and the flora and fauna of the landscapes around me. My main working method has been the development of a painting style I term ‘memory impressionism’. This method involves going walking somewhere, looking at and absorbing the things I see and experience, and then returning home to my studio to try and capture an echo or essence of the place from memory - including any wildlife I may have seen. By this method I can capture essences and echoes of places and the feeling I have about them. I love the ancient landscapes of England and my paintings often reflect the spiritual elements that such landscapes have.

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