Renewal of Springtime, a vibra Painting by Gill Bustamante
Renewal of Springtime, a vibra Painting by Gill Bustamante
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Renewal of Springtime, a vibra

Gill BustamanteUnited Kingdom
Original artwork, 152.4×91.44 cm, 2024
$2,800USD
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Characteristics of the Painting “Renewal of Springtime, a vibra”

Year of creation2024
Dimensions152.4 W × 91.44 H × 5.08 D   cm
Type of artpainting
Stylecontemporary art
Genrelandscape
Materialsoil, canvas
Type of packagingcardboard box
Keywords
summerspringlandscapetreeseasondeerbluebell-woodforestspringtimedeer-in-woodfallow deermagical-landscapesemi-abstract-landscapesbluegreen

Description of the Artwork “Renewal of Springtime, a vibra”

Renewal of Springtime is a large joyful semi-abstract painting of a bluebell wood with a river winding through it. It is 60x36x1.5 inches. A white fallow deer buck stands on the left looking across the river to two female deer on the right. There are strong vertical lines throughout the painting which gives the illusion of the deer, the trees, and the bluebells merging into each other – almost as if the painting was woven rather painted. There is a strong feeling of the exuberance of a springtime wood but it also has a transient, impermanent feeling to it as the month of April when the bluebells are in bloom seems to fly by too fast. The river running through the forest is reddish in colour because I often see iron-rich rivers and streams in the Sussex area. This particular painting was inspired by a walk I had in the Mayfield area which is full of meadows, strange crevices and streams and patches of woodland where the deer appear and disappear magically whenever you pass through them.

About the artist
Gill Bustamante

Gill Bustamante, United Kingdom

I am a professional artist based in East Sussex who creates large semi abstract landscape, seascape and wildlife paintings in oil on canvas. My painting style is very distinct and fuses art-nouveau, impressionist and semi-abstract techniques with traditional portraiture that reflect my love of nature, animals, birds and the flora and fauna of the landscapes around me. My main working method has been the development of a painting style I term ‘memory impressionism’. This method involves going walking somewhere, looking at and absorbing the things I see and experience, and then returning home to my studio to try and capture an echo or essence of the place from memory - including any wildlife I may have seen. By this method I can capture essences and echoes of places and the feeling I have about them. I love the ancient landscapes of England and my paintings often reflect the spiritual elements that such landscapes have.

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