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Avant-garde Interior Painting Panorama 52-36. Nine octaves. by painter Milan Djurdjevich oil wood
Panorama 52-36. Nine octaves. Painting by Milan Djurdjevich
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Panorama 52-36. Nine octaves.

Original artwork, 70×80 cm, 2024
$14,141USD
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Characteristics of the Painting “Panorama 52-36. Nine octaves.”

Year of creation2024
Dimensions70 W × 80 H × 0.5 D   cm
Type of artpainting
Styleavant-garde
Genreinterior
Materialsoil, wood
Type of packagingwooden box
Keywords
symbolPianistavant-gardeAbstractionmusic

Description of the Artwork “Panorama 52-36. Nine octaves.”

Automatic translation

The painting is done in oil on hardboard. Full title: "Panorama 52-36. Nine octaves, one pianist and 4'33'' silence". I) I created the world's first painting where you can play and hear John Cage's music - "4.33." Silence sounds here! II) We all know Kazemir Malevich's "Black Square". But it turns out that musicians are "no less stupid" than artists. They also have their own "black square" - 4'33'' silence. So it turns out that in my painting, two kings of art feel great! Gentlemen, and the kings are naked!

Artwork in the interior

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About the artist

Milan Djurdjevic. Born in Šabac (Serbia). From early childhood he was interested in painting and literature. Attended art school (class of professor Zlata Petkovic). Basic education - engineering and technical. He continued to paint professionally (exhibitions, competitions...) since 2000. Participated in exhibitions in cities of Serbia, Germany, Russia. In 2023 - participant and winner of the Russian Arts Week in Moscow. Competition "Art Portrait" 2023 Moscow. - 2nd place. The artist’s paintings are in private collections in Serbia, Russia, the UAE, and the USA. Milan Djurdzhevich paints in his own genre - “Thematic Abstraction”. These paintings, like a mirror, reflect the past, the present itself and our entire world. This is exactly the conclusion that the artist came to after conducting a deep analysis and studying contemporary art. After all, a painting, even an abstract one, must be understandable to the viewer. And it will be understandable only if the artist writes a plot, a theme, and transfers thoughts to the canvas (if there are any, of course). “Looking at a painting is not just a process of contemplation for me. In any picture I try to see the event. It’s like returning to childhood through the balcony, quietly, on tiptoe...” (Milan Djurdjevic from the book “Thematic Abstraction with Comments and Explanations”).

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