Stag Materializing Painting by Gill Bustamante
Stag Materializing Painting by Gill Bustamante
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Stag Materializing

Gill BustamanteUnited Kingdom
Original artwork, 101.6×101.6 cm, 2024
$4,155USD
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Characteristics of the Painting “Stag Materializing”

Year of creation2024
Dimensions101.6 W × 101.6 H × 3.8 D   cm
Type of artpainting
Stylecontemporary art
Genreanimal
Materialsoil, canvas
Type of packagingcardboard box
Keywords
Stagdeerred deerdeer abstractred stag abstractdrip paintingmulti-coloured stag paintingpaintings of deerdeer stagotherworldly paintingspiritual paintings. Gill Bustamante paintingspiritual abstract artlarge semi-abstract paintingindependent British artistEnglish contemporary artistsstunning abstract paintingrealism vs abstractmagical realism by Gill Bustamanteethereal-paintingsfairy-tale-paintings

Description of the Artwork “Stag Materializing”

Stag Materializing is an oil painting of a red deer stag painted in a semi abstract style and in vibrant rainbow colours. It is 40x40x1.5 inches. The painting is multilayered and multicoloured but the predominate colours are purples and oranges. The face and antlers of the stag are painted in a portrait style but the body becomes more and more transparent as it recedes into the strange space of the background. To the right is the hint of a pine tree. The painting was made as I sometimes really just want to paint a beautiful animal. Painted on 3D canvas, edges white, no frame needed, ready to hang

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About the artist
Gill Bustamante

Gill Bustamante, United Kingdom

I am a professional artist based in East Sussex who creates large semi abstract landscape, seascape and wildlife paintings in oil on canvas. My painting style is very distinct and fuses art-nouveau, impressionist and semi-abstract techniques with traditional portraiture that reflect my love of nature, animals, birds and the flora and fauna of the landscapes around me. My main working method has been the development of a painting style I term ‘memory impressionism’. This method involves going walking somewhere, looking at and absorbing the things I see and experience, and then returning home to my studio to try and capture an echo or essence of the place from memory - including any wildlife I may have seen. By this method I can capture essences and echoes of places and the feeling I have about them. I love the ancient landscapes of England and my paintings often reflect the spiritual elements that such landscapes have.

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