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Figurative Animal Painting Us and the moon by painter José Luis Montes mixed method parchment
Us and the moon Painting by José Luis Montes
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Us and the moon

Original artwork, 68×163 cm, 2022
€1,710EUR
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Characteristics of the Painting “Us and the moon”

Year of creation2022
Dimensions68 W × 163 H × 0.2 D   cm
Type of artpainting
Stylefigurative
Genreanimal
Materialsmixed method, parchment
Type of packagingart tube
Keywords
pink coloruntilofficerhorsearmadilloparchment paperbluefloresnaturefigurative artanimalssmilemexican artacrylicpaintsart for childrennaïve arteveningwalkdecorgift

Description of the Artwork “Us and the moon”

Automatic translation

The armadillo, one of the oldest native species on the American continent, appears with a mask as an allegory of life and mounted on a pink horse, symbolizing the hope that it will be removed from the list of endangered species. The pink color and the flowers on the horse symbolize the hope that we will be able to reestablish our contact with nature.

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About the artist

Concern for nature and the space we inhabit has been a constant on a personal level and as such has been reflected in many of my works over time. I am currently focusing my work on women; the woman as a symbol of strength and tenacity and also as a guardian and connoisseur of the cycles of nature and I am painting her along with floral and animal elements that show her coexisting with nature. I use this, on the one hand, to draw attention to the fact that there is less and less nature to interact with, and on the other hand, as a reminder that we have to listen to the rest of the beings in nature, because we are not independent. from it and we cannot sustain ourselves outside of it, we need to understand that we are one and the same and that is what I intend to convey with my work, that people stop a little to think about how we are destroying the habitat of the macaws or how we are taking our diet towards the absurd, for example. I also like to use everyday elements to form and assemble the work as an allegory, guiding the observer into the interior of the painting, so that from there they themselves can discover their interpretation or can start a conversation with the work.

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