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Figurative Animal Painting Gallo by painter José Luis Montes pencil paper
Gallo Painting by José Luis Montes - Jose Art Gallery
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Gallo

Original artwork, 37×46 cm, 2021
$991USD
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Characteristics of the Painting “Gallo”

Year of creation2021
Dimensions37 W × 46 H × 3 D   cm
Type of artpainting
Stylefigurative
Genreanimal
Materialspencil, paper
Framingthe artwork is sold with framing
Type of packagingwooden box
Keywords
untilbirddecorformorangegallocolorfulcerealwheateggsunyellownegrofeedingcolored pencilsmexican artfigurative artsymbolismcontemporary artgiftenmarcadoave

Description of the Artwork “Gallo”

Automatic translation

In this impressive work, José Luis Montes captures the complete cycle of life through the symbolism of the rooster and the egg. The rooster's lustrous feathers represent beauty and vitality, while the egg with its golden rays symbolizes the sun, life and nutrition. The background of a cereal field adds a touch of realism and connects the work with food. This piece is not only a celebration of Mexican figurative art, but also a deep reflection on life and natural resources.

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About the artist

Concern for nature and the space we inhabit has been a constant on a personal level and as such has been reflected in many of my works over time. I am currently focusing my work on women; the woman as a symbol of strength and tenacity and also as a guardian and connoisseur of the cycles of nature and I am painting her along with floral and animal elements that show her coexisting with nature. I use this, on the one hand, to draw attention to the fact that there is less and less nature to interact with, and on the other hand, as a reminder that we have to listen to the rest of the beings in nature, because we are not independent. from it and we cannot sustain ourselves outside of it, we need to understand that we are one and the same and that is what I intend to convey with my work, that people stop a little to think about how we are destroying the habitat of the macaws or how we are taking our diet towards the absurd, for example. I also like to use everyday elements to form and assemble the work as an allegory, guiding the observer into the interior of the painting, so that from there they themselves can discover their interpretation or can start a conversation with the work.

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