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Contemporary Art Animal Painting Divine Monarchs by painter Gill Bustamante oil canvas
Divine Monarchs Painting by Gill Bustamante
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Divine Monarchs

Gill BustamanteUnited Kingdom
Original artwork, 122×122 cm, 2023
$4,813USD
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Characteristics of the Painting “Divine Monarchs”

Year of creation2023
Dimensions122 W × 122 H × 4 D   cm
Type of artpainting
Stylecontemporary art
Genreanimal
Materialsoil, canvas
Type of packagingcardboard box
Keywords
patterntransparentcolordeerstagabstract deerblue forestwoodlandmomeny of magicdeer in bluebellsabstract woodlandfallow deer potraitdeer magic

Description of the Artwork “Divine Monarchs”

Divine Monarchs is a large semi-abstract wildlife painting of two deer in a bluebell wood in springtime. It is 48x48x1.5 inches. The painting was inspired by the months of April and May when the woodlands become carpeted in bluebells. I rarely spot deer in the forests as deer hide expertly, but in springtime it is easier to see them against the blues, lilacs and pinks of the flowers. I began the painting thinking to make a traditional portrait of a stag and a doe but found it impossible. Deer are just too ethereal and I am too inclined to try and capture the spirit of them rather than the anatomical accuracies - so this is what happened. The painting shimmers with the life and energy of the universe under trees and I have made the most of the interplay between sun and shade by contrasting the blue and lilacs of the shadows against the yellows, pinks and greens of the sun dappled scene.

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About the artist
Gill Bustamante

Gill Bustamante, United Kingdom

I am a professional artist based in East Sussex who creates large semi abstract landscape, seascape and wildlife paintings in oil on canvas. My painting style is very distinct and fuses art-nouveau, impressionist and semi-abstract techniques with traditional portraiture that reflect my love of nature, animals, birds and the flora and fauna of the landscapes around me. My main working method has been the development of a painting style I term ‘memory impressionism’. This method involves going walking somewhere, looking at and absorbing the things I see and experience, and then returning home to my studio to try and capture an echo or essence of the place from memory - including any wildlife I may have seen. By this method I can capture essences and echoes of places and the feeling I have about them. I love the ancient landscapes of England and my paintings often reflect the spiritual elements that such landscapes have.

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