Get 15% Off
SaveEpisode 3: DOOR TO SECRETS
| Year of creation | 2023 |
|---|---|
| Dimensions | 50 W × 65 H × 1 D cm |
| Type of art | drawing |
| Style | abstract |
| Genre | mythological |
| Materials | pen, paper |
| Type of packaging | art tube |
Description of the Artwork “Episode 3: DOOR TO SECRETS”
In this third episode of the 'Fire of Planet Nibiru' series, the artist introduces us to the world of mysteries and mystical symbols. Through the gates of a secret door into the underground of the planet Nibiru, a new, unknown world opens. The use of antique elements, such as ancient lettering and textures, combined with an abstract style, gives the painting a special atmosphere of mystery and invites the viewer to search for hidden meanings and messages. Each element in this painting, be it an ingot, a block or paper with blank text, hints at ancient secrets and knowledge lost in the mists of time.
Artwork in the interior
Vadim Ponomarenko, Turkey
Vadim Ponomarenko (Vadisİst) is a contemporary Russian artist. Vadim was born in 1968, in the Saratov region. In 1983 he graduated with honors from the Mineralovodsk Art School. I dreamed of becoming an architect, but life decreed otherwise, and Vadim received an economic education. Despite the daily workload, Vadim always gravitated towards creativity and continued to improve his artistic skills by attending the department of additional art education at the Moscow Art School at the Russian Academy of Arts and the Saratov Art School named after A.P. Bogolyubov. Vadim studied the properties of oil and acrylic, was engaged in wood painting and illustration. In 2022, having moved to Turkey, Vadim made drawing his main activity. Now Vadim creates most of his works in the graphic avant-garde style and in the sketching style. In graphics, he is attracted by the conciseness and clarity of lines, strokes, and geometrically verified intersection of planes. Sketching allows you to capture and capture a moment, convey its atmosphere and mood. Vadim's works are based on historical and mythological subjects, as well as on impressions from visiting architectural monuments and theatrical performances.