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SaveThe three-body problem
| Year of creation | 2022 |
|---|---|
| Dimensions | 80 W × 120 H × 2.2 D cm |
| Type of art | drawing |
| Style | abstract |
| Genre | genre |
| Materials | acrylic, canvas |
| Type of packaging | art tube |
Description of the Artwork “The three-body problem”
Today, on this wonderful Book Lover's Day, I want to present to you a special work inspired by one of the most fascinating science fiction novels - The Three-Body Problem by Liu Qixin. If, like me, you like to immerse yourself in worlds where space and time cease to be familiar, this painting is made just for you. Imagine that you are on the threshold of a new reality. In front of you is not just a picture – it is a portal to a world where time and space change their nature, where the usual laws of physics no longer work, and chaos becomes order. The invisible drama of the cosmos unfolds on the canvas, where every line and every color carries a deep meaning. I would like to inform you that this painting had a minor damage, which I have professionally restored. The cuts were 0.5 cm and 0.5 cm in size, and they have been fully repaired from the back of the canvas. This restoration is completely invisible from the front and does not affect the overall perception of the artwork.
Artwork in the interior
Noumenona, Ukraine
Noumenona is a modern Ukrainian artist who chose the path of surrealism and abstraction. For a long time, she was engaged in choreography and music in a violin class. She started painting in 2021, after leaving her job at a top Ukrainian company. In August 2022, her personal exhibition was held in the city of Rivne. Works with acrylic, ink, charcoal, pastel, watercolor, collage elements, aerosol paint and texture paste. She paints exclusively at night and loves mixed media. In her paintings, with the help of inaccuracy of forms, small details, and work with colors, the artist tries to create such an image that will evoke in the viewer the shadows of his memories, fantasies and dreams. The artist values the freedom of interpretation and almost does not publish the description of the paintings, leaving the viewer space for personal discovery and interaction with the works. She dreams of her own creative workshop, because the war took it away.