Gigantic 290 cm surreal angel Painting by Kloska Ovidiu
Gigantic 290 cm surreal angel Painting by Kloska Ovidiu
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Gigantic 290 cm surreal angel – painting
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Gigantic 290 cm surreal angel

Kloska OvidiuRomania
Original artwork, 290×190 cm, 2019
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Characteristics of the Painting “Gigantic 290 cm surreal angel”

Year of creation2019
Dimensions290 W × 190 H × 4 D   cm
Type of artpainting
Stylecontemporary art
Materialsacrylic, canvas
Type of packagingart tube

Description of the Artwork “Gigantic 290 cm surreal angel”

Fr om The Book of Angels series : "The waiting - Composition 193" Gigantic acrylic on canvas Canvas size: 290 x 190 cm (116 x 76 inches) / edges are painted dark /painting is varnish to protect the colors in time The Summit of The Angels... Ovidiu Kloska, a technician, does not allow his profession to come out to light. His presence is perfectly shaped and he is open to substantial and unconventional dialogue. He is a painter and a poet in the same time. Fr om another point of view, the rationalism implied by engineering can be found only when navigating the internet and signing his e mails with the exciting formula I AM KLOSKA. On the rest, we are dealing with a free spirit, open towards the sky of fantasy, where the presence of gladiator angels reign over lucid insomnia and the turn into unusual paintings. The exercise and the performance in modern techniques of advertising design brought him reputation and all this turned into the promoter of painting. Actually, a poet disguised as a painter, Ovidiu Kloska wants to propose to modern man another way of imaging, in a way that common elements of traditional painting cannot find their place anymore. He does not reject the classics, but he does not worship them with endless devotion either. He feels, in everything, just like a free man. His personal touch on every image comes fr om all this and it focuses almost entirely only on a specific abstract concept. His show in Focsani looked like the perfection of initiation in angiology, the presence of the angels and their lives aiming to ineffable, to mentally estranging fr om gravity. This is wh ere the idea of the angel comes from, from a theological and artistic point of view. He is not interested in pointless endless discussions about the genre of angels, just like the previous ones, but only in the population of angels that live in the interval. The interval is actually the space between God inside us and God outside us. Our guardian angel turns into the dominant element of the painting, in different situations. Kloska’s gloses on the subject are original and they lead to insomnia. Mostly that of the spirit called out from agreed upon conventions to propose another manner of negotiation with the sacred and the eternal. Animated spirit by insoluble questions, he goes deep with every piece on the lands of illusions. He does not give any sentences, he just invite us for journeys into the volatile zones of fiction and mister. Kloska never starts to forget from wh ere he start and he doesn't brake himself to affirm that he's sometimes cross by the seductions of the delirium. He is speaking with angels. In a composition with an aspect of baroque unplaite of very well articulated luxuriant lines, he is calling the memory to imagine a possible dialog with the Guardian Angel. The questions sounds real, the answers are equivocal. The tension of the image associates vulnerable armour and cherub diaphans in a spectacle wh ere the trumpets are sound spelling a possible apocalypse. The chromatics is forcing itself with precious Rembrandtian associations but also with loudly grays metallic articulated. In "the first photo session of a guardian angel" the heavy armors are becoming possible burden, fragile carcases wh ere , in fact, the faith is living . Other times, the spectrum of impenetrable nights presumes grave coloring association. even funeral in bacovian key while the orgiastic feast of joining is having the devataiting air of heresy. The proportion between the dark colors and the cluster of gold yellow glitters that is inundating the sky of compositions is bringing to attention the cosmic couple of light and dark. The gushing fantasy, the nocturnal reverberations of the poetry, as the painter said, amplifies the sonority of chromatics and multiplies the dramatic development of the forms in the graphic space. Not by fortuitous chance, Ovidiu Kloska is hearing the music of spheres and is seeing angels. The translation between real and imaginary, between the form and the gesture desinhibated from the compulsion of the authority of tradition, is making the painter to reinvent the space from the perspective of a time animated only by the wing flapping of angel fall into sin. Substantial plastic comments on such a theme proves the configuration of a vision, an implementation of a stylistic. So, adding ourselves to his tireless introspective thought, but also to his poetic visionary utterance, I think we are really dealing with a real true creator. There, we can say, is a spirit witch is watching over our bourgeois reconciliation with ourselves...

About the artist
Kloska Ovidiu

Kloska Ovidiu, Romania

Constantly fascinated, this dynamism of shape opens up in a unique way, by projecting a way of mind, a mind performance with neurological circuits. This is my magic eye.I believe that by uniqueness begins with the very capacity of inventing universe out of things shattered by time, things that have changed into ephemerity. There are hours that I spend staring at the mud, at the wrinkles of the trees, at the rust of walls damaged by time. It is an exercise that everybody should make. It means worming the spirit, getting in touch with the sublime. I am connected to silence and endless time during the short chat between things. Sublime. Esoteric. And the nigh, that cold, fascinating light that makes things change their meaning, driven by an inner tremble that is known from a previous moment, fluttering through images. My visual relates with dreams, unconsciousness, delirium, hallucination, with the change of shape and light, with the spontaneous, illusion, abnormal and normal, bizarre and wear. I was born in Romania, Neamt district,in a small town in N E of Romania at 27 of july 1977. In 2000 I graduated the Technical University Gheorghe Asachi from Iasi, Romania, Faculty of Electronics and Telecommunication. In 2009 I graduated master classes at George Enescu Art University from Iasi, Faculty of Fine Arts with the project Urban wear oniric interferences object of art. I Live and create in Focsani, Vrancea district from Romania

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