SaveSyndic. Double-sided canvas
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| Year of creation | 2015 |
|---|---|
| Dimensions | 130 W × 80 H × 3 D cm |
| Type of art | painting |
| Style | conceptual |
| Genre | marine art |
| Materials | oil, canvas |
| Type of packaging | wooden box |
Description of the Artwork “Syndic. Double-sided canvas”
The work consists of four triangles-stretchers, on which the canvas is stretched from both sides. 130x80 cm, oil. The canvas is stretched on the stretchers on both sides, and is divided into several equal triangles, connected by a metal rod. Thus, all parts of the fabric have the property of rotating. The form involves finding around the canvas, which gives the product an indirect form of installation. The work is performed in a unique author's technology of tempo-rhythmic painting, allowing to view the picture not only in its volume and dynamics, but also to observe the changes occurring with it depending on the light fall. The painting was written in August 2015 on the Taman Peninsula, the site of the ancient Greco-Sindi town of Hermonass. On one side of the canvas is the rising of the sun in the east, the burning of the flame of the rhythm of color. On the other hand - the sunset, the west, the burning colors of the summer day, the grace of the sunlight dying out for several hours. In this case, the form of the canvas and the image merge with its contextual content. "East-West" reconciles the colorful mystery of the ancient land.
Olga Bejina, Russia
Olga Bezhina was born in Krasnodar in 1981, graduated fr om the Krasnodar Art School in 2001, wh ere, until her own technique of tempo-rhythmic painting, she experimented with various variants of classical painting, year after year forming her unique handwriting. A distinctive feature of Olga Bezhina's paintings is a convex texture, relief and structural integrity. Olga called the developed technique a tempo rhythmic painting, which is a color application of the material (paint), taking into account the physical phenomena changing around the artist (the fall of light, the force of the wind movement). The artist writes her works from life, which ensures accurate transmission and interpretation of light and tonal dynamics of the surrounding space. The purity of color and the uniformity of the canvas structure allow Olga to achieve the effect of volume and animation of the written - depending on the lighting, the same canvas can look different. The unique handwriting of the artist allows you not to perceive works as works of abstract painting, but to feel every detail of the picture through a clearly verified mosaic. The artist approaches his work with the accuracy of the engineer: a clear transmission, preservation of color and dynamics of the space around require consistency and accuracy even at the time of writing the picture. Such projects of Olga as cycles "Following the tracks of Sinds", "Dichotomy", "Victory" were evaluated by critics of the Southern Federal District at a high level and presented at the exhibitions: "Different Worlds," a solo exhibition "Imprint".