Year of creation | 2019 |
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Dimensions | 60 W × 84 H × 0.2 D cm |
Type of art | painting |
Style | abstract |
Genre | mythological |
Materials | mixed method, paper |
Having appeared in the field of pure abstraction what we could take out fr om this world? This is a very strange question. Imagine that we broke out into a certain space and within this space our reality is a context. We suddenly realize that our reality has much more interpretation options, it is mobile and not as unambiguous as it seems to us. In this space, we understand very well what our reality is, but in the opposite direction we cannot take any knowledge, or almost none, from space to our reality. To illustrate. For example, imagine a sphere. If we project it onto a straight line, we get 2 points, in those places wh ere the straight line “pierces” the sphere. If we project on a plane, we get a circle. Each dimension below our sphere contains a certain "cast" of the sphere, but not its own. With each dimension from a straight line to a three-dimensional space, we approach the understanding of the sphere, but we cannot fully understand it on a straight line or a plane. What if we imagine our world as a projection of a higher order of the world? What is this world and how to break through to it? All this is pure abstraction, the only question we should have: how to go beyond the limits? In this plane lies the exit of the postmodern. At this time, a qualitative leap is needed, the answer no longer lies in the plane of the means of artistic expression.
Painting for me is a method to discover reality. There is a great temptation to romanticize art too much, it is in everyday simplicity that the whole meaning of creativity and art is enclosed. In my works I try to understand the nature of everyday reality, to erase the boundary between art and life.