Anno di creazione | 2019 |
---|---|
Dimensioni | 40 L × 50 A × 2 P cm |
Tipi di arte | pittura |
Stile | espressionismo |
Genere | ritratto |
Materiali | olio, tela |
Metodo di imballaggio | іmballaggio in cartone |
"Polina" cattura l'energia intensa e la determinazione feroce di una ballerina al culmine della sua performance. Il suo corpo, teso e composto, si allunga verso l'alto, le sue braccia si allungano verso un punto invisibile, come se sfidassero i limiti stessi dell'ambiente circostante. Lo sfondo, una miscela di blu freddi e arancioni infuocati, rispecchia la dualità di calma e passione che danza attraverso la sua espressione. Il suo sguardo è potente, la sua bocca è aperta in un grido di sforzo o di sfida. I tratti audaci e i colori vibranti evidenziano l'emozione cruda e il movimento esplosivo, riflettendo un momento di pura e sfrenata arte in movimento. . Opera originale creata da Alexander Aksyonov.
A professional artistr. His first solo exhibition took place in 1979, where his series of stained glass windows in the student club in Kharkov was presented. He participated in collective exhibitions of artists, competitions, is represented in permanent and personal expositions. He has been a freelance artist since 1991 Alexander has achievements in invention, music, choreography, sports. In 2017 he was the champion of Ukraine in ballroom dancing. Believes that the dance theme is underrepresented in the visual arts. Therefore, in his works often pays attention to dancers, their beauty of spirit and imagination, the beauty of the moment lived in the dance. The artist strives to evoke positive emotions by talking about various life situations using various mediums such as oil, acrylic, watercolor, ink, pigments, pastels, cement, glass and more. His works center on the woman as a dancer, as the main character in depictions of love, anticipation, passion, pain, abandonment, desire and perversion. Alexander defines his works as born out of chaos, confusion and characterized by strong lines, fast, unfinished, scratchy. These intentional designs are meant to attune the viewer to hope, faith in the good and the process of creation. He attempts to convey the artist's own emotions and even human nature, not by conveying the exact image of the object, not by emphasizing the ugly, but by addressing the ambiguous boundary between perfection and incompleteness, emphasizing and directing the viewer's feelings towards the delight of striving for the beautiful