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Surrealismo Mitológico Pintura "Prisma" pintor Ed Schaap óleo lienzo
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Prisma

Ed SchaapPaíses Bajos
Obras de arte originales, 60×50 cm, 2021
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Características de la Pintura “Prisma”

Año de creación2021
Dimensiones60 A × 50 Al × 2 P   cm
Tipos de artepintura
Estilosurrealismo
Géneromitológico
Materialesóleo, lienzo
Palabras clave
gnomoduendediablilloduendekoboldduendeduendecillodiscocuento de hadasganadofantásticofantasíaarte infantilTrollmíticomágico

Descripción de la obra “Prisma”

Traducción automática

Para cruzar los grandes océanos, volar es casi imposible. Tampoco es posible llevar combustible si vas en barco. Afortunadamente, uno puede usar los 'Prismas' que captan ciertos colores de los soles y las estrellas. Así son conducidos lenta pero seguramente sobre las aguas infinitas del mundo de los sueños.

Acerca del Artista
Ed Schaap

Ed Schaap, Países Bajos

My name is Ed Schaap, I was born in Sittard, Limburg, Netherlands in 1965. As a child, I already showed a penchant for fantasy and science fiction movies and series that were shown on television at the time. Especially around the time movies like Star Wars and Alien came out, I was fascinated and fascinated by this unknown world. As for the art that I create, I have to say that I have been influenced and inspired by certain artists and concept artists, but over time I have found my own way. The works that I create are, as a rule, subjects from history, myths and legends, as well as things from everyday life. I give my own vision. In the beginning I used an airbrush. At a certain point, I started to miss a few things in my work. While experimenting with the combination of brush and airbrush, I realized that the painterly effect of brushwork was the missing element in my work. With these two components together in my recent work I find the result satisfactory. Despite this result, I also started painting with oils. Here a completely new world opened up for me, for example, the colors obtained with oil paint are almost impossible to create with acrylic paint.

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