Año de creación | 2023 |
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Dimensiones | 45 A × 60 Al × 1.8 P cm |
Tipos de arte | pintura |
Estilo | expresionismo |
Género | retrato |
Materiales | acrílico, lienzo |
Método de embalaje | embalaje de cartón |
Esta pintura es una combinación de filosofía budista y expresión artística. Inspirada en el concepto zen de que la verdadera belleza reside en la ruptura parcial deliberada de la simetría, desafía las nociones tradicionales de belleza. Representa a una mujer sentada en una habitación con un rostro turquesa, lo que agrega un elemento único e intrigante a la composición. La mujer está sentada en una pose relajada, exudando una sensación de paz o tal vez meditación. Como pieza central de la pieza, encarna una ruptura deliberada de la simetría, animando a los espectadores a reflexionar sobre la verdadera esencia de la belleza. Realizada en un estilo impresionista de collage con pinceladas texturizadas, esta pintura es una obra maestra visualmente impactante y que invita a la reflexión.
A professional artistr. His first solo exhibition took place in 1979, where his series of stained glass windows in the student club in Kharkov was presented. He participated in collective exhibitions of artists, competitions, is represented in permanent and personal expositions. He has been a freelance artist since 1991 Alexander has achievements in invention, music, choreography, sports. In 2017 he was the champion of Ukraine in ballroom dancing. Believes that the dance theme is underrepresented in the visual arts. Therefore, in his works often pays attention to dancers, their beauty of spirit and imagination, the beauty of the moment lived in the dance. The artist strives to evoke positive emotions by talking about various life situations using various mediums such as oil, acrylic, watercolor, ink, pigments, pastels, cement, glass and more. His works center on the woman as a dancer, as the main character in depictions of love, anticipation, passion, pain, abandonment, desire and perversion. Alexander defines his works as born out of chaos, confusion and characterized by strong lines, fast, unfinished, scratchy. These intentional designs are meant to attune the viewer to hope, faith in the good and the process of creation. He attempts to convey the artist's own emotions and even human nature, not by conveying the exact image of the object, not by emphasizing the ugly, but by addressing the ambiguous boundary between perfection and incompleteness, emphasizing and directing the viewer's feelings towards the delight of striving for the beautiful