SaveGround
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| Year of creation | 2017 |
|---|---|
| Dimensions | 100 W × 100 H × 5 D cm |
| Type of art | painting |
| Style | modern |
| Genre | genre |
| Materials | oil, canvas |
Description of the Artwork “Ground”
The use of the element of the line to create a painting in the history of Iranian art had precedent, but what is important in my mind is the use of the element of the line and its usefulness in reflecting the author's mental background. Meanwhile, the aim is to depict the concept of letters and words, diversify their size, create rhythm and composition, emphasize the visual aspect, create a visual composition, preserve their power, and physical and psychological impact instead of a verbal look.In this collection, the letters and words have gradually been minimized, and more attention is paid to pure form and pure visual communication between them. The conscious emphasis was on the new achievements of Western art and the need to achieve cultural roots and visual traditions, and the combination of the two for this set. The embodiment of a world where reality and imagination are intertwined and created in a different world. By combining materials and creating different tissues and repeating motifs and repeating the colored and repetitive lines, the use of a range of golden, green and all kinds of water tints that relate spirituality has been driven by the necessity or personal beliefs that are used to paint the visual language To prepare a new one.
Maryam Ghazi, Iran
2018 A forthcoming book titled “Rite in The Mirror Of Myth”. 1. Seyedeh Maryam Ghazi, J.Shekari, and S.M. Ghazi, "A Study Roles of Women in Federico Garcia Lorca’s Play the Blood Wedding Play”, International Journal of Fundamental and Applied Life Sciences. Jaipur, India, 2015. (ISI) 2. Seyedeh Maryam Ghazi, "Review elements and mythic elements in conception and ritual”, International Conference on Religious Thoughts and Culture, Bushehr, Iran, 2014. (ISC) 3. S.M. Ghazi “Comparative study of the doubt element in the opinions of Imam Mohammad Ghazali and Rene Descartes”, International Congress on Science And Engineering. Hamburg, Germany, 2018. (ISI) 4. S.M. Ghazi. “The position of individual and collective subconscious mind In Sigmund Freud's and Karl Gustav Yong's views on the creation of artwork”, 4th International Conference on Management and Humanities. Paris, France, 2018. (ISI) 5. S.M Ghazi “An Investigation of Descartes' Philosophical Paradigms in Hamlet's Drama” 6th International Conference on Behavioral Sciences and Social Studies. Prague. Czech, 2018. (ISI) 6. S.M Ghazi “Analysis of Postmodernism’s Impact on Man’s Situation from the Viewpoint of Jean Francois Lyotard in The “Rhino”, 5th International Conference of Management and Social Sciences. Berlin, Germany, 2018. (ISI)