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SaveNurse 40 cm
| Year of creation | 2025 |
|---|---|
| Dimensions | 28 W × 40 H × 25 D cm |
| Weight | 18 kg |
| Type of art | sculpture |
| Style | baroque |
| Genre | portrait |
| Materials | Bronze |
| Modules | 2 |
Description of the Artwork “Nurse 40 cm”
Nutrix (40 cm) is a more intimate — though no less compelling — incarnation of the larger vision. Reduced in scale, but not in presence, it carries the same quiet confidence and distinct artistic voice, now distilled into a form that fits effortlessly into a refined interior. There is something refreshingly direct about this version. Without excess, without distraction, it focuses the viewer’s attention on the essence of the idea — duality, transformation, tension between surfaces. It feels deliberate, composed, and strikingly modern. What makes Nutrix particularly appealing is its accessibility without compromise. It retains the character of a serious work of art, yet invites closer, more personal engagement. It’s the kind of piece one lives with, not just observes. From a collector’s point of view, this is an intelligent acquisition — a rare opportunity to own a work with a clear artistic identity at a more approachable scale. A piece you’ll be rather pleased to have at home.
Krzysztof Plonka, Poland
Krzysztof Płonka Kraków, Poland Born 1972 Sculpture, painting, multimedia practices “Perfection will last forever” Krzysztof Płonka is an artist working at the intersection of sculpture, painting, and new media. His practice is centered on form as a site of tension between materiality and projection, the physical and the imagined. He creates monumental bronze sculptures marked by a high degree of formal discipline, while simultaneously developing work within film, video games, and digital image production. He has contributed to visual effects for productions such as Avatar II, Get Even, The Witcher, and Medium, forming an important technological foundation for his artistic language. His work remains in dialogue with the legacy of surrealism—particularly the aesthetics of H.R. Giger and Zdzisław Beksiński—yet it resists direct quotation. Instead, these references are transformed into a distinct and recognizable visual idiom, where organic and mechanical elements merge into hybrid forms. Płonka operates across sculpture, installation, and performative structures, consistently challenging stable perceptual categories. His works do not merely represent; they construct experience—situations suspended between unease and contemplation. A defining feature of his practice is the tension between technical precision and semantic ambiguity. Rejecting mimetic representation, he builds visual structures grounded in dissonance and internal contradiction, guiding the viewer toward an encounter with form as something inherently unstable. His works are held in private collections, and his practice has attracted a growing circle of dedicated collectors as well as an engaged and expanding audience. Płonka’s artistic practice remains an open process—continually redefining the relationships between disciplines and the boundaries of the image itself.