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SaveDon't Swipe to Feel
| Year of creation | 2025 |
|---|---|
| Dimensions | 45 W × 60 H × 1.8 D cm |
| Type of art | painting |
| Style | expressionism |
| Genre | portrait |
| Materials | acrylic, canvas |
| Type of packaging | cardboard box |
Description of the Artwork “Don't Swipe to Feel”
In "Don't Swipe to Feel", Alexander Aksyonov captures the quiet fracture between digital surface and emotional depth. A woman’s figure, both revealed and abstracted, stands against a backdrop of vivid reds and pale voids, as if suspended between a screen's glow and inner unrest. Her downward gaze, the shadow of her hand, the obscured face—all suggest a silent resistance to being consumed by quick impressions. Aksyonov’s layered textures and bold geometry speak to the longing for true presence in an era of curated personas. This is a portrait not of a woman—but of the pause before vulnerability. . The dimensions of the painting are W18 x H24 x D0.7 inches. Acrylic portrait, original work created by Alexander Aksyonov
Artwork in the interior
Alexander Aksyonov, Ukraine
A professional artistr. His first solo exhibition took place in 1979, where his series of stained glass windows in the student club in Kharkov was presented. He participated in collective exhibitions of artists, competitions, is represented in permanent and personal expositions. He has been a freelance artist since 1991 Alexander has achievements in invention, music, choreography, sports. In 2017 he was the champion of Ukraine in ballroom dancing. Believes that the dance theme is underrepresented in the visual arts. Therefore, in his works often pays attention to dancers, their beauty of spirit and imagination, the beauty of the moment lived in the dance. The artist strives to evoke positive emotions by talking about various life situations using various mediums such as oil, acrylic, watercolor, ink, pigments, pastels, cement, glass and more. His works center on the woman as a dancer, as the main character in depictions of love, anticipation, passion, pain, abandonment, desire and perversion. Alexander defines his works as born out of chaos, confusion and characterized by strong lines, fast, unfinished, scratchy. These intentional designs are meant to attune the viewer to hope, faith in the good and the process of creation. He attempts to convey the artist's own emotions and even human nature, not by conveying the exact image of the object, not by emphasizing the ugly, but by addressing the ambiguous boundary between perfection and incompleteness, emphasizing and directing the viewer's feelings towards the delight of striving for the beautiful