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SaveJuly Dissolving
| Year of creation | 2025 |
|---|---|
| Dimensions | 122 W × 61 H × 4 D cm |
| Type of art | painting |
| Style | contemporary art |
| Genre | landscape |
| Materials | oil, canvas |
| Type of packaging | cardboard box |
Description of the Artwork “July Dissolving”
July Dissolving is an original panoramic oil painting of the view from the South Downs in summer 2025. It is 48x24x1.5 inches. The painting was made after a jubilant walk up this hill from Washington in Sussex. The path winds steeply upwards through farm land and eventually arrives at Chanctonbury ring hill fort. You can see a complete hectic abundance of wildflowers and brambles and the hint of a winding chalk path. The scene is just starting to dissolve which represents the way nature transitions from one season into another – almost like a scene change in a theatre. As always, I have chosen to show some of the actual features of this landscape along with how I felt about it. It is happy but slightly wistful painting as summer is over far too soon in England! Painted on deep edge canvas, edges pale yellow, ready to hang and comes with a certificate of authenticity. #art #artist #artmaster
Artwork in the interior
Gill Bustamante, United Kingdom
I am a professional artist based in East Sussex who creates large semi abstract landscape, seascape and wildlife paintings in oil on canvas. My painting style is very distinct and fuses art-nouveau, impressionist and semi-abstract techniques with traditional portraiture that reflect my love of nature, animals, birds and the flora and fauna of the landscapes around me. My main working method has been the development of a painting style I term ‘memory impressionism’. This method involves going walking somewhere, looking at and absorbing the things I see and experience, and then returning home to my studio to try and capture an echo or essence of the place from memory - including any wildlife I may have seen. By this method I can capture essences and echoes of places and the feeling I have about them. I love the ancient landscapes of England and my paintings often reflect the spiritual elements that such landscapes have.