| Year of creation | 2011 |
|---|---|
| Dimensions | 100 W × 75 H × 3 D cm |
| Type of art | painting |
| Style | realism |
| Genre | landscape |
| Materials | oil, canvas |
| Type of packaging | cardboard box |
This work is an oil painting on linen canvas mounted on a wooden frame, using techniques that provide depth and realistic texture. Painted in 2011, it reflects the atmosphere of an autumnal landscape with great precision and detail.




Vicent Penya-Roja, a realist painter with Valencian roots and Aragonese ties, has forged his path in the art world as a self-taught master at capturing the luminous essence of life. Born on January 8, 1962, in La Vall d'Uixó, Valencian Community, Spain, Penya-Roja has dedicated his life to the study and representation of light and its many nuances. His artistic philosophy, encapsulated in the maxim "If you want to paint light, first learn to paint shadows," reflects his relentless pursuit of depth and realism through contrast and chromatic harmony. With a career marked by both solo and group exhibitions in Spain and the United States, this artist has distinguished himself through his ability to capture light, an element he considers fundamental to his work. His landscapes, more than mere representations of nature, are studies of light, its transformations, and its interaction with color. His presence in the digital world through his official website and various online art platforms, such as Singulart and Artelista, facilitates access to his work, allowing a wider audience to appreciate its depth and beauty. Vicente Penya-Roja remains a relevant figure in contemporary Spanish art, a bridge between tradition and modernity, whose work invites us to contemplate not only what is seen, but also what is felt and experienced through the interplay of light and shadow on the canvas of life. The magic of Vicente Penya-Roja's landscapes lies in the layers and details. Especially in his images of grasslands and vegetation, small, repetitive strokes create depth within the composition. His preferred medium is oil paint, and his process is a constant exploration of light and its chromatic variations.
