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Contemporary Art Animal Painting Equine Spell by painter Gill Bustamante oil canvas
Equine Spell Painting by Gill Bustamante - Jose Art Gallery
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Equine Spell

Gill BustamanteUnited Kingdom
Original artwork, 92×92 cm, 2026
$2,600USD
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Characteristics of the Painting “Equine Spell”

Year of creation2026
Dimensions92 W × 92 H × 4 D   cm
Type of artpainting
Stylecontemporary art
Genreanimal
Materialsoil, canvas
Type of packagingcardboard box
Keywords
Arab horsesArabian horsesart artcolourful landscape paintingsEnglish contemporary artistequine artethereal-paintingsexpressive horse paintingfairy-tale-paintingshorse abstracthorseslarge horse paintingmagical landscape paintingsMagical realismpurple paintingquine abstract paintingrealism vs abstractsemi abstract art nouveaustunning abstract paintingvibrant colourswhite horses

Description of the Artwork “Equine Spell”

Equine Spell is a large expressive magical realism painting of white dappled Arabian horses. It is 36x35x1.5inches. The three horses merge into a purple and blue background and one looks back at the viewer with a question on her face. The inspiration for this painting is simply a desire to express how beautiful Arabian horses are. The horses themselves are caught in some kind of enchantment – hence the title. This painting is for those who are similarly captivated by the elegance of horses. Painted on deep edge canvas, edges purple blue, ready to hang and comes with certificate of authenticity

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About the artist
Gill Bustamante

Gill Bustamante, United Kingdom

I am a professional artist based in East Sussex who creates large semi abstract landscape, seascape and wildlife paintings in oil on canvas. My painting style is very distinct and fuses art-nouveau, impressionist and semi-abstract techniques with traditional portraiture that reflect my love of nature, animals, birds and the flora and fauna of the landscapes around me. My main working method has been the development of a painting style I term ‘memory impressionism’. This method involves going walking somewhere, looking at and absorbing the things I see and experience, and then returning home to my studio to try and capture an echo or essence of the place from memory - including any wildlife I may have seen. By this method I can capture essences and echoes of places and the feeling I have about them. I love the ancient landscapes of England and my paintings often reflect the spiritual elements that such landscapes have.

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