Year of creation | 2022 |
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Dimensions | 78 W × 82 H × 0.2 D cm |
Type of art | painting |
Style | abstract |
Genre | landscape |
Materials | oil, canvas |
Type of packaging | art tube |
In 'Imaginary Grove', Constantin Roucault masterfully invites viewers on an immersive journey into a bamboo forest reborn through abstraction. Dominated by an expansive spectrum of blues, from the lightest to the deepest, the painting evokes a tranquil, yet mysterious atmosphere. The essence of tranquility wraps around the viewers, offering them a calming embrace from the chaotic world outside. Here, traditional bamboo leaves are reimagined into abstract forms that spark the imagination. A solitary bamboo-like staff, painted in a striking salmon-yellow, stands boldly against the serene blues, creating a vibrant contrast and serving as a reminder of the beauty found in diversity. This piece allows for a myriad of interpretations, inviting viewers to dive into its depths and find their own peace within the enigmatic quality of its composition.
Constantin Roucault, a contemporary Swiss artist who draws inspiration from the cubist representation of urban and industrial subjects found in the works of American painters Charles Sheeler, Charles Demuth, and, to some extent, Edward Hopper. This early influence propelled him towards embracing the artistic style. The city and nature, in their myriad forms, have remained enduring sources of inspiration for Constantin throughout his artistic journey. His artworks navigate the intersection of figurative and graphic styles, oscillating between abstraction and realism. Central to his creative process is the use of oil paint, a fundamental medium that brings his visions to life. In certain instances, Constantin incorporates diverse media and techniques, including acrylic, ink, charcoal, collage, and screen printing, to enhance the expressive depth of his creations. This versatile approach allows him to explore and push the boundaries of artistic representation, creating a body of work that resonates with both abstraction and the tangible reality of the subjects he portrays.